A postmodern drama that troubles the feminist novella The Yellow Wallpaper (1892) by counterposing the white eugenic beliefs of the novella’s author Charlotte Perkins Gilman with the anti-racist fiction and scholarship of Charles Chesnutt, author of The Marrow of Tradition (1901).
Premiering at:
The Atlanta Fringe Festival 2024
7 Stages Backstage
Thursday June 6 @ 7:00 PM
Friday June 7 @ 8:30 PM
Saturday June 8 @ 4:00 PM and 10:00 PM
Tickets can be purchased in May of 2024